Moreton’s photographs encapsulate a sense of solitude and chosen isolation. Through his lens, viewers are transported to a world where the hustle and bustle of life fade away, leaving only the quiet expanse of snow and ice. The ice shacks, a staple of Canadian winters, dot the frozen lakes and rivers, serving as both a refuge and a cultural icon. Moreton captures this essence, presenting them as a peaceful haven in an otherwise barren landscape.
In describing his process, Moreton shares that each outing to photograph these ice shacks is a journey of its own. Equipped with his camera and Nordic skis, he ventures across frozen terrains in search of the perfect shot. Sometimes he stumbles upon a lone shack, miles away from the next, while other times he finds clusters of them, forming tiny villages on the vast, icy plains. Each discovery is a new experience, with the quiet surroundings allowing him to truly be present, fully in tune with his environment.
For Moreton, the act of photographing these shacks is more than just a creative endeavor; it’s an opportunity to reconnect with nature and appreciate the serenity that comes with solitude. He describes the feeling of being alone on the ice, with only the sound of his skis slicing through the snow and the wind whispering in his ears. It’s an experience that mirrors the simplicity and stillness of his images, creating a meditative process that resonates deeply with the viewer.
The vernissage at Galerie Old Chelsea is not just an exhibition but an invitation to pause and reflect on the beauty of isolation. It offers a glimpse into the quiet life of the North, through the eyes of an artist who embraces both the challenges and rewards of venturing into this frozen wilderness. Whether visitors are familiar with ice shacks or not, Moreton’s photographs offer a universal message of peace, simplicity, and the power of nature.